Writing Machines

In his distinctions between book and computer, page and screen, reading and browsing (or some other form of digital doing), Birkerts consistently views the book as pre-technology–and everything that comes in the 20th century and after as technological interruptions of the book-based world. We have seen in some places, particularly the beginning of chapter 3, that he opens the door onto the view that books themselves are a product of technology–that Gutenberg’s press is a powerful machine. But doesn’t spend much time looking through that door.

This recent piece from the New York Times on Learning Machines in the classroom reminds us that, indeed, various writing technologies and machines have long been a part of our learning–because writing and reading is always technological in some form. The pencil, for example, or the chalk board. Technology doesn’t mean it has a plug. The implication from the slide show is that the iPad may well be the slate/chalk board, remediated. We will return to this idea in coming sections of the course–particularly when we think about film as a remediation of a novel.

So, as you work on drafting and revising and editing your first writing project, recognize that you are working on machines: not just the computer you are using for word processing, or the blog I am asking you to post the work to–but the writing itself, and the book you have been reading and are responding to. All of these are part of a machinery and technology of information and ideas we call literacy. That doesn’t mean, however, that your writing (or reading) can only be ‘mechanical.’ In fact, as I am suggesting to you, good, thoughtful, imaginative, and rhetorically effective writing and argument is all of that because the writer has learned how to use the machine and get behind the curtain.

Consider, as an example, this other piece from the Times, an argument for use of technology in learning by Jaron Lanier: what I notice is the effective narrative style of the argument, guided by his use of personal reflection. The mechanics of the writing (moving from paragraph to paragraph) enable the argument to seem–well, human, rather than mechanical.


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