Frankenstein and filmPosted: February 28, 2010
In our next project, we stay with Frankenstein but read it from another angle of vision. We will be thinking about the ways that Shelley’s “hideous progeny” has gone forth and prospered in film. In doing so, our writing and critical reading focal point will be something Katherine Hayles calls “media specific analysis.” This means that we will be thinking more specifically about film (and about writing) as a medium–thinking about characteristics specific to the medium and to ways that a story told in film is different than the same story told in a print novel. A related term I will use to explore this with you: remediation–the way a newer medium extends and relates back to an older medium, even as it would seem to replace it (for example: film and writing).
Frankenstein shows up in lots of film–and not just in films named Frankenstein. This has been one significant feature of the novel’s afterlife. Why it has lived on surely has something to do with the power of the story–its ability to be adapated and to evolve in different cultures and climates. (Sounds something like the creation, doesn’t it). I would hypothesize, more specifically, that one of the ways and reasons the novel prospers in film has something to do with the ways the story can be made relevant to the medium of film.
Some links to consider:
1910 Edison film (the earliest film version of Frankenstein)
Discussion of Frankenstein in film (Electronic Frankenstein).
Creation scene (It’s Alive!) from the 1931 film.