hypertext is bad writingPosted: October 28, 2008
This is where I start to make some sense of Patchwork Girl: Jackson’s interest in hypertext writing as a resistance not just to traditional views of narrative or novel, but to conventional definitions of writing as such. In “Stitch Bitch” (I am reading ahead for next week, but also following up connections that Hayles makes in “Flickering Connectivities”; Hayles cites this as well) Jackson connects her understanding of the feminine, “banished body” at work in hypertext and at play in her novel with “what we learned to call bad writing.” So hypertext is a kind of writing that traditional (masucline) literature has edited out: a body and its loose aggregations.
This suggests to me that we are supposed to spend our time looking at this body (and multiplicitous embodiment) of writing; and are greatly helped in resisting the tendency to look through it, which is to say, look past it. She goes on to use the word ‘composite’; think how this resides in ‘composition.’
Hayles, in her analysis of the novel and in her contextualizing of its interest in 18th century discussions of authorship and copyright, provides a rationale for understanding the body of writing and the body of bodies. She connects Jackson’s interest in the (multiple) bodies of her text (author, character, novel, computer) to her argument for media specific analysis: it matters, Hayles asserts, which textual bodies we are dealing with when we write and read. Jackson goes even further: the bodies we write and read with matter as well.
I am curious, reader. Do you also view bad writing as bodily–as those elements of your writing that are in some way too physical, in need of surgery? Do you think, as Jackson seems to think, that we read with a body I wonder, certainly, where this finds us: we, in a composition and literature course, working on our writing and reading. And I wonder, I speculate, that engaging Jackson’s Patchwork Girl, with better attention to this sense, these senses, of an embodiment of writing and reading, will allow us to make more sense of the text. I would suggest that this way of making sense is one version of what Hayles means by “cyborg reading practices.” This is not about becoming plugged in, as in the cyborg of film; it is to recognize that we already are.
So, if you think Patchwork Girl is in some form bad writing and are having difficulties with it, you might be on to something.
By the way, for those interested, here is an electronic copy of Baum’s Patchwork Girl of Oz, one of the many sources/intertexts/bodies that are taken up in Jackson’s composite. [thanks to Joanna for the reference]